These lines introduce “hopeless” as a metaphorical love interest (she), representing a toxic relationship with doubt and uncertainty. The phrase “she hopped, hoped homeless” suggests that hopelessness moves aimlessly and never finds stability. But when I say, “I hope that she never gets a moment,” I’m making it clear that I don’t want hopelessness to ever take power over the hope I have in myself. In this mantra, I refuse to let doubt take control, and instead, focus on pushing forward and turning that hope into success—“making a milli in the mornin’.” This shift highlights the battle between staying trapped in hopelessness and staying committed to the grind.